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Introducing the workshop “Magaluf Reset: Project, Gaming and Strategic Action”, for architects and graduates. Codirected with R. Paez i Blanch, It will take place in July 22-30th in the island of Palma de Mallorca. A week of ludic and academic high-voltage aimed at establish an open research field for the particular mass tourism of Magaluf. During the warm months the british-balearic corridor sends periodically outposts where the narcissistic and sexual self-affirmation takes place. New touristic rituals bring an exultant aesthetics of looting and provocation. Magaluf is certainly problematic, but in a time in which urbanism has turned into a monetized and propagable technology it explicits the possibility of new plays on the urban gameboard, a bastion for new and unprogrammed frictions within the social and political mainstream.

Gameboards, sci-fi politics, situation rooms and much more!

More info:
http://workshopmallorca.tumblr.com/
Download syllabus here: http://issuu.com/…/d…/paez_elvira_2015_syllabus_magaluf_r/3…

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Next saturday February 28th at 16:30 Juan will be presenting Murado y Elvira graphic works at Palacio Cibeles Madrid. It is entitled “Flatlands: Architecture of many dimensions”, a variant on the title of the wonderful book by Edwin A. Abott.
/// El próximo sábado a las 16:30 presentamos nuestros proyectos de diseño gráfico y editorial en el Palacio Cibeles de Madrid. El título, “Flatlands”, hace alusión al libro de Edwin A. Abott.

Thank you DTF magazine. Get your tickets in the link below!
https://docs.google.com/forms/d/1o2phFHqGoHsg6_PbTACSvluZ-jFsVyQWa8r17fuf3cs/viewform

Rotary Signal Emitter – Side A “Belleville Springs / Overmodulation High”

Sculpture is an audiovisual performance duo from London – electronic music producer, Dan Hayhurst, and animator, Reuben Sutherland.

The Rotary Signal Emitter is an LP that can be played conventionally or as a self contained film. You just have to place the record on a turntable and direct a bright lamp at the record as it plays to film the record as it spins.

Sutherland ‘DJs’ with home-made zoetropic discs, intricate concentric rings of illustrated frames, projecting fragments of looping images at 33, 45 and 78 rpm – pre-Edisonian imaging technology combined with a digital video camera.

Hayhurst deploys prepared audio material (found tapes, lo-fi electronics, computer programming, and analogue noise) across 1⁄4” tape loops, hardware sampler, cassette walkman and CDJ deck.

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